Author Rebecca Hammond Yager received the Literary Classics Words On Wings Book Award for her YA novel, Beauty & the Beast. Words on Wings is one of the contest’s Top Honors awards, given to extraordinary young adult fiction. Beauty & the Beast also won Gold in High School Romance.
Congratulations on your achievements! When did you first start writing?
Thank you! I first started writing around age 8, dipping my toes into poetry first before discovering novel writing at age 11. But I’ve been telling stories pretty much since I learned to speak. My mom always said I was alarmingly quiet at first, not starting off with all the typical baby words, and that when I finally started talking, it was in complete sentences. And once I was forming sentences, I was telling stories.
What’s the target age group for your books?
Beauty & the Beast is… I don’t know…12 and up? I think of it as for all ages really.
My first novel, Winds Cove, a YA mystery published in 2004, was also about the same, maybe for ages 10 and up. I think, or at least I hope, that my books are crafted well enough that they can’t be outgrown. My future books, several in the works but none finished yet, will be for teens and some for perhaps a slightly older audience though not because they’ll be inaccessible to teen audiences, more because the heroines will start to range more in age.
What inspired your award-winning book?
This is perhaps a longer answer than you were looking for, but here goes:
I dine on fairytales almost daily. They are not the only things I read—I love all kinds of Fantasy, Supernatural, Murder Mystery, some Horror, as well as Science Fiction/Science Fantasy—but I obsessively collect fairytales. Fairytales were my introduction to the Fantasy genre, and some of my earliest memories are my mom reading me fairytales before tucking me in at night. I can still hear her voice in the cadence of the words in one particular version of Cinderella, and I’m on the hunt for the particular version of Sleeping Beauty she read to me which I have not ever come across since. That’s a long way of saying fairytales are important to me. They’re literally woven into the fabric of my imagination. So in the midst of all the writing projects I have going, I’ve always wanted to squeeze some fairytale retellings in as well.
I had a vague idea, a lifetime or two ago, about a story centering around a cursed black lion. I knew immediately it was a Beauty and the Beast type of story, although I didn’t know how closely it would mirror its source. And then my ideas regarding the noble, raven-furred lion were lost to my piles and stacks and mountains of notebooks as other story ideas threw themselves in my path. I never forgot him. But his story has been stuck on the back burner ever since. Growing up with Madame Beaumont’s 1756 “Beauty and the Beast” and of course Disney’s enchanted retelling, I was utterly unprepared for Gabrielle-Suzanne Barbot de Villeneuve’s 140-page original version, The Story of the Beauty and the Beast, published in 1740, sixteen years before Madame Beaumont severely condensed it into the tale commonly found in fairytale collections. Moreover, I didn’t even know Villeneuve’s version existed until I stumbled across it on Amazon and realized Beaumont, so often credited as the inventor of the tale, was in fact only a reinventor like Disney and everyone else. While I completely understand why Beaumont chose to streamline the rambling story so much, I was simultaneously thrilled and dismayed to discover that the version I knew was only half the story. Beauty’s heritage and backstory had been shorn away and have now been all but obliterated from common knowledge. I was mesmerized in particular by Villeneuve’s Fairy Realm, a kingdom in the air belonging to a fairy race with their own laws, their own hierarchy, their own customs, and which fit so seamlessly within a fairytale world I was already constructing involving a Sky Kingdom and a race of Fae creatures. I also immediately felt I owed it to Beauty to finally get her story out there—or at least my version of it. I read and watched every version of BATB I could get my hands on, marinating in the story and seemingly infinite interpretations of it. Villeneuve’s & Beaumont’s versions of BATB, and the Brothers Grimm “Singing, Soaring Lark” were together the wellspring for my own reimagining. The three greatest influences for my inspiration aside from the fairytales themselves would have to be Jean Cocteau’s beguiling and eerie cinematic adaption released in 1946, the 2014 visual feast directed by Christophe Gans, and Hilary Knight’s magnificently illustrated 1990 rendition, all of which had me falling in love with the story over and over again each time I read or watched them. It is my hope, among many other hopes, that someday people will be as swept off their feet by my reimagining as I was about theirs.
Describe one of your characters with a cliché or a famous quote.
The Beast – “The eyes are the windows to the soul.”
Do you have plans to, or have you already, released audio editions of your books?
I have not. To be honest, I haven’t even thought about it. Hmmm…
Who would you cast as the voice actor for your main character?
Are we talking dream voice castings here? For the Beast it would be Liam McIntyre. I think he’d be smashing in a live action film adaptation too, but the reason I thought of him for the role was first and foremost for his delicious voice. Manu Bennett would be pretty spectacular too. If we’re talking reality then…. I have no idea. I have a friend who’s an actress who I would probably beg and plead to read for Beauty.
Do you illustrate your own books? If not, how did you find your illustrator?
My book doesn’t have illustrations but I did do the cover art myself. All the photography as well as the graphic design to put it all together. I did a fair bit of photography on the side before my allergies to the vulture sun forced me into a more vampiric nocturnal lifestyle.
Who are some of your favorite YA and/or children’s book authors?
Alexander Key for middle grade/YA. His books were my gateway to science fiction, and he captures a marvelous sense of wonder of the Universe while still seeing it as both broken and beautiful. It doesn’t matter how old I get or how many times I read them, his books haunt me and inspire me and sweep me away to this day.
For children’s books, there are probably too many to name but thinking in terms of picture books I would say Jan Pienkowski, Hilary Knight, the Sisters Johnstone, and Kinuko Craft are the ones I specifically look out for. I’m aware that they are all illustrators but some of them do their own writing, and while Kinuko Craft does not, her paintings make me want to fall inside her stories. In fact, she is one of my writing inspirations even though she’s not a writer—she is a master storyteller through her art, and I like to think of my writing as word painting. Even though I use a different medium, I want to tell stories the way she does. She’s fantastically brilliant.
Do you have any quirky writing habits?
I don’t know if they’re quirky—they all seem pretty normal to me anyway, lol. I write inside and outside, at the zoo or the lake or the park when I can find a shady spot, but most of the time I’m holed up in my house, surrounded by plants and animals and stacks of books as I write. I stare into space for days, weeks, even years, mulling and meditating over my ideas and letting them marinate in my imagination. I outline my stories usually halfway through writing them, which perhaps is one of my less practical habits. I also tend to write out of order, writing whichever scene overwhelms me when I pick up my pen and then stitching all the scenes together afterward. I’m trying to break myself of that habit actually since it makes for a lot of extra work toward the end.
I like to surround myself with things that inspire me specifically in the tone of whatever it is that I’m writing. For Beauty & the Beast, for example, I bought up every vintage version of Beauty & the Beast I could stretch my tiny paycheck to accommodate as well as a few lion statues, a pewter pegasus, and along with a pewter castle I’ve had for years that inspired the castle in the story, I would literally surround myself with them, the books open to my favorite illustrations and carefully overlapping each other in artistic piles, the lions and castle etc perched all around me while I wrote so that every time I glanced up my eye would fall on something beautiful and magical, my rescued cats and dogs in fuzzy heaps around me, with youtube enchanted forest videos playing in the background. It’s in those quiet, creative moments that I’m overwhelmed by the fact that no matter how little money I’m making, the writer’s life can be intensely beautiful.
Oh, oh! I don’t know if this is a habit exactly, but while I never ever put real people in my stories, myself included, I do give real animals cameos and roles. My stories always have animal characters as well as human ones, and they’re often inspired by or based on specific animals I have known. It’s sort of my way of imparting a slice of immortality on them. Beauty & the Beast contained 4 animal characters inspired by real life animals.
How do you balance writing with book promotion and everything else there is to do in life?
Book promotion is brand, spanking new to me so I’ll have to get back to you on that one. As far as the balance in my life between writing and keeping up a home and rescuing as many animals as possible, I’m afraid the housekeeping is what tends to fall by the wayside, lol. I’m still working on finding the right balance to be productive AND healthy AND have a clean house. It’s a challenge. My husband is very patient, although I am frequently banned from the kitchen due to my tendency to novel-plot and wander off to parts unknown while handling knives or using the stove.
Do you have anything special you’d like to say to your readers or fellow award-winning authors?
To writers—just write. The hardest part for me is gluing my rear to a chair long enough to be productive because I’m so easily distracted. So to writers like me, just write.
To my readers—thank you for getting swept away by my story. I hope I can sweep you away many many more times.
To all readers—Don’t ever let anyone make you feel like reading fiction is a waste of time. Fiction and Fantasy and Beauty have tremendous value. Savor beauty. Revel in it. It’s a treasure that can be anywhere and everywhere, and yet we can never have too much of it in our lives.
Rebecca Hammond Yager grew up in the bewitching realm of Vermont. She has a degree in creative writing and a lifetime love of monsters and beasts. When her nose isn’t in a book, her head is firmly in the clouds where all dreamy heads ought to be. She now lives in South Carolina with a menagerie of beasts and her handsome, longsuffering husband where she obsessively collects fairytales, devours fantasy and science fiction, and rescues animals.
Winner of the 2017 WORDS ON WINGS Award, Literary Classics’ Top Honors Award for Young Adult Fiction
A young woman sacrifices herself to save her father and enters a moonlit kingdom of beasts on the borders of Faerie, overrun by thorns and roses, haunted by memories, and ruled by lions. To have any hope of seeing her family again, Beauty must unravel the riddle of the Beast and dispel the shadows of her own past in this lush and vivid reimagining of the timeless fairytale.
Those who yearn for poignant prose and vibrant imagery will no doubt delight in Yager’s brilliant representation of this timeless classic. —Literary Classics Book Awards
This book is available on Amazon.
Read more about the 2017 Literary Classics Book Awards contest winners on my Interviews page and the Literary Classics website.